EN
What an apt description for an extraordinary finissage at the end of the exhibition "In the beginning is the tetrahedron. Perfection in space" by Rüdiger Seidt. The aesthetics and charisma of Rüdiger Seidt's works entered into a wonderful dialog with the rooms of the Stadtstadel and captivated the many visitors to the exhibition in their very own way. They often spent a long time looking at the works and absorbing the harmony they emanated.
For the finissage, Larissa Richter on the grand piano and Nargiza Yusupova on the cello selected unknown works by Scandinavian composers, whose sounds echoed the formal language of the Corten steel sculptures. They captured everyone and everything in the room with sensitivity and intensity. Whether by Jean Sibelius, Johan Svendsen, Edvard Grieg or Carl Nielsen, all compositions were newly rehearsed and often adapted for piano and cello. The audience was enchanted by the two internationally acclaimed musicians and particularly enjoyed the unfamiliar. The highlight of the evening was the interplay between visual art and music. Rüdiger Seidt energetically drew the shape of the tetrahelix on an oversized sheet of music, the cornerstones of which became the starting notes for a spontaneous, joint improvisation for Larissa Richter and Nargiza Yusupova. The two of them made the drawing resound with the greatest of ease. An unforgettable evening.
Photographer: Bernhard Simon